Djuna Barnes documents:This collection is available to the general public and is employed into the Unique Collections reading room

Djuna Barnes documents:This collection is available to the general public and is employed into the Unique Collections reading room

Utilize and Access to Collection

Scientists must register and consent to privacy and copyright guidelines before utilizing this collection.

As a result of condition for the collection, users will access the microfilm surrogate for Series I-IV. Authorization to see the papers that are original be submitted to Special Collections and University Archives prior to your check out. Original pieces of art in Series VIII are delicate and tend to be consulted just by visit.

Duplication and Copyright Information

Photocopies or electronic surrogates may be supplied relative to Special Collections and University Archives duplication policy.

Copyright resides utilizing the creators of this papers or their heirs unless otherwise specified. It will be the researcher’s duty to secure authorization to write materials through the appropriate copyright holder.

Inquiries about authorization to write the ongoing works of Djuna Barnes must be directed to your Authors League Fund, 155 liquid Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail:

Archival materials may include materials with delicate or private information that is protected under federal and/or state right to privacy guidelines or any other laws. Although we make a beneficial faith work to spot and take away such materials, some could be missed during our processing. If your researcher discovers sensitive and painful information that is personal a collection, please carry it towards the attention associated with reading space staff.

102.00 Linear Feet

Extra Description

Scope and Content of Collection

Noted journalist and avant-garde writer Djuna Barnes was created in Cornwall-on-Hudson, nyc, on June 12, 1892, the 2nd kid and just child of Wald and Elizabeth Chappell Barnes. Barnes learned art at the Pratt Institute (1912-1913) and also at the Art scholar’s League of brand new York (1915-1916).

The New York Press , and the New York Sun , among other publications in 1913, she began working as a freelance journalist and illustrator for the Brooklyn Daily Eagle and was soon writing and illustrating features and interviews for the New York Morning Telegraph. During this time period, she became active in the bohemian creative milieu of Greenwich Village. She penned poetry ( The Book of Repulsive Women , posted in 1915) and lots of quick performs (« Three From our planet, »? « Kurzy for the water, » and « an triangle that is irish), that have been made by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested almost all of the following two decades in England and France. She penned features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , an everyday column for Theatre Guild Magazine , and poems and tales for literary mags such as for example Dial , change , and Transatlantic Review . Her book-length writings in this period contain an accumulation of her brief tales, performs, and poems, A Book (1923) , that has been revised and republished in 1929 as every night on the list of Horses , the Ladies that is satirical Almanack1928), as well as 2 novels, Ryder (1928) and Nightwood (1936). Regarded by many critics as her masterpiece, Nightwood ended up being impacted by Barnes’s event with Thelma Wood. The novel had been written beneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In 1939, Barnes returned to the United States, and, in September 1940, she moved into an apartment at 5 Patchin Place in Greenwich Village, where she res >The Antiphon (1958), which was produced in Sweden in 1961 in a version co-translated by United Nations’ secretary Dag Hammarskjold october. Another assortment of her stories that are short Spillway , had been published in 1962, the season for which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally composed much poetry, though little ended up being posted. Her last work was the verse menagerie Creatures within an Alphabet (1982). Barnes passed away in new york on 18, 1982, at the age of ninety june.


Custodial History and Acquisition Information

Existence and Location of Copies

Associated Material

Materials associated with the Papers of Djuna Barnes held collections that are special the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester web web Page Collection, the Papers of Andrew Field, and also the Papers of Frances McCullough. a recording that is uniqure of reading from The Antiphon , produced by Chester web web Page in April 1971and acquired aided by the McCullough papers, can be obtained at Crucial correspondence of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers during the University of Delaware Library, Newark, Delaware.

The Rare Books Department has curatorial duty for the percentage of Barnes’s individual collection that has been obtained with her papers. The Barnes’s library contains over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library for more information.

Processing Information

The Barnes papers have been processed numerous times in largely piecemeal fashion since its acquisition by the University of Maryland. Within the springtime of 1996, all the collection except the photographs and art underwent major reprocessing. This work included making a brand new group of family members and individual documents and merging the 2 alphabetical runs of communication. Materials formerly within the « Typescripts, web web web page proofs, scripts, » « Publications, » and « Appendix B: Laminated Papers » were brought together as a single « Writings » series. Other work included integrating the unprocessed addenda regarding the collection (previously « Appendix A ») into current show and combining the « Clippings, » « Pamphlets, » and far associated with « Miscellaneous » series into an individual « Printed Matter » series. In Fall 1996, a series that is new « Serial Publications, » was made. « Book Catalogs » formerly situated underneath the « Printed Matter » series were relocated into « Serial magazines. »

In 1998, the remaining of unprocessed products had been incorporated into the collection. Additionally, the picture and art appendices had been converted to show and renumbered and rearranged as necessary. Area VI, Cards, and Section VII, Printing Blocks, had been put into the creative art show. The Barnes pen and ink drawings donated in 1997 had been additionally included in to the art show. In 2000, items acquired from a dealer were integrated into the collection november.

In 2001, preparations to microfilm the first four series of the collection began, including some reprocessing july. Significant time ended up being dedicated to dating materials that are previously undated reorganizing the materials properly. In Series II, Correspondence, there is a file that is general each page associated with the alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed question, was discarded as of this right time; « On Barnes » became « About Barnes »; « On Barnes’s Writings » is currently titled « About Barnes’s Writings »; and « On Others » and « Other » were combined to create « Collected by Barnes. » Things within six regarding the eight « miscellaneous » files were grouped together under headings, such as for instance guide reviews and wellness, and arranged alphabetically under « Collected by Barnes. » In addition, English translations of articles had been reunited making use of their spanish originals.

An effort ended up being built to bring some purchase to Barnes’s poetry. Whenever possible, materials within each folder had been put in chronological purchase, and fragments based in « Poems, Fragments » that have been perhaps maybe perhaps not poetry-related had been relocated to « Notes, Miscellaneous fragments. » Many noticeably, the poems in « Early Poems » had been partioned into review specific folder by title and incorporated into the alphabetical schema of this show.

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